POWERHOUSE THEATRE COLLABORATIVE

Audition to be a Power Player

We have audition opportunities throughout the year for community members of all levels of experience!

Open Auditions

Upcoming Auditions:

A Christmas Carol: TBA

Questions about auditions?

Check out our audition FAQs or send us an email.

Auditions for two great Powerhouse shows!

JOURNEY THROUGH NEVERLAND & THE DIARY OF ANNE FRANK
Auditions: July 20 & 22 | Colonial Theatre in Laconia Details below

You need only attend one night. You may audition for both and need only register once. Featured roles will likely only be cast in one show.
In person auditions are preferred, but you may audition by video. When you register there is a spot to upload your video.

AUDITION FOR:

JOURNEY THROUGH NEVERLAND

By Tess Hodges
Ages 14+

Sunday July 20 6pm
& Tuesday July 22, 6pm | Colonial Theatre

About the show

September 14, 20 & 21, 2025
Prescott Farm in Laconia

Powerhouse returns to the grounds of Prescott Farm for a new theatre adventure based on Peter Pan. Audiences will travel through the grounds of Prescott Farm where they encounter scenes from the iconic story. Some characters will lead the audience through the adventure, while other characters perform their shorts scenes at one location. This will be a fun and silly experience that will be a smaller time commitment than some of our larger scale productions. Bring some pixie dust and your imagination and audition!

What to prepare

Prepare one of the monologues or scenes provided. Memorization is option but we are looking for fun, engaging characters. Familiarize yourself with the additional monologues and scenes as you may be asked to read additional pieces.

Cast of Characters

PETER PAN - Young/ageless boy. High energy. Peter is the cleverest, smartest, coolest, most interesting person he knows. Even when alone he acts as if he is performing for an audience, since he always has the best audience someone could ask for…himself) 

“SHADOW” - All the awesomeness of Peter Pan, but also a little more free and conniving. AND no lines to memorize!  Big movement focus.

SLIGHTLY - Lost Boy. Thinks he is the second in command, but isn't.  Thinks he is the coolest and smartest, but isn't.  Thinks he isn’t afraid of Peter, but is.

TOOTLES - Lost Boy. The biggest victim of bullying among the Lost Boys, but is fine with it. A little bumbling. Kinda innocent.  Likes to play.  Oddly, not afraid of Peter. KNOWS HOW TO SEW POCKETS!!!

GENTLEMAN STARKY - Pirate. On the clever side, but not on the smart side. Uses a lot of rhymes. Musical Talent - a Plus…no musical talent - humorous

GUTLESS GLEN - Pirate. On the clever side, but not on the smart side. Uses a lot of rhymes. Musical Talent - a Plus…no musical talent - humorous…may or may not be in love with the Captain

TINKERBELL - Fairy.  “I don’t need a man” feminist. Cute, and bubbly…and sassy and sarcastic.

SMEE - Pirate.  Captain Hooks second in command. Bumbling and useless. Weak willed. Probably in love with the captain. Potentially irish?

CAPTAIN HOOK - Pirate Captain. Peter Pan's greatest enemy.  A little posh and fancy, but also hella evil.  Desperately wants revenge for his dismemberment.

WENDY - Older woman (spoilers). Older and content with her life, but desperate to see Peter again.  Still very young at heart, even if her body can’t match that energy.

AUDITION FOR:

THE DIARY OF ANNE FRANK

Frances Goodrich and Albert Hackett,
newly adapted by Wendy Kesselman
Ages 14+

Sunday July 20 7pm
& Tuesday July 22, 7pm | Colonial Theatre

About the show

October 10-12, 2025 *There is a possibility of a morning performance on Thursday, Oct 9
Colonial Theatre Laconia

In this transcendently powerful new adaptation by Wendy Kesselman, Anne Frank emerges from history a living, lyrical, intensely gifted young girl, who confronts her rapidly changing life and the increasing horror of her time with astonishing honesty, wit, and determination. An impassioned drama about the lives of eight people hiding from the Nazis in a concealed storage attic, THE DIARY OF ANNE FRANK captures the claustrophobic realities of their daily existence—their fear, their hope, their laughter, their grief.

What to prepare

Please prepare one of the monologues below (memorization is optional.) Also please familiarize yourself with the scenes provided as we will be doing some scene work.

Character Descriptions

Anne Frank (F): Must be able to play 13-15 years old. Extraordinary in her hope, passion, and belief in the good in the world at the start of the show, she is innocent, precocious, and does not hesitate to speak her mind. As she matures through her time in hiding, she becomes introspective, compassionate, and ultimately eager and hopeful for a more accepting future for everyone. Warm, witty, intelligent, charming, self-aware, sensitive, often impatient, sometimes a know-it-all, open, determined, easily hurt, spirited, hopeful, fun-loving, with all the longings, expectations and attitudes that adolescence brings. Though hiding and in constant fear and isolation, she never gives up. 

Otto Frank (M): Father of Anne and Margot and head of the group living in his Annex. He leads with love and strength in all he does. Unlike Anne, he is even tempered and strives for peace in every situation. He has the resilience of a younger man but the experience to recognize the reality of the world around him. He is wise, fair, loyal, attentive, patient, intelligent, soft, level-headed, optimistic, genuinely likes people. 

Edith Frank (F): Anne and Margot’s mother. A lovely woman, wife and mother. She is from a wealthy German family. She is loving, moral, concerned, gracious, cultured, devoted to tradition, devastated by her relationship with Anne. Closer with her older daughter, Margot, she longs for a deeper connection with Anne. She has a bit of Anne's fortitude, however, and when pushed will make her mind known. 

Margot Frank (F): Must be able to believably play an older teen. Anne's older sister. Like her mother, she is quieter, and more mature than Anne. Margot feels alone and unsure of her place in the annex. She is reserved and respectful of others. Although they are opposites, she loves and admires Anne, and longs for deeper connections to others, but does not know how to achieve them. She is obedient, frail, sickly at times, friendly, intelligent, overwhelmed by the trials of hiding. 

Putti Van Daan (M): The head of the Van Daans, he is struggling to find his place as a second family head in the Annex. He is pragmatic and a bit harsh and bombastic. He wishes to make his wife happy, on his terms, and wants to teach his son to be more outgoing and to toughen him up during their time in the annex. He is dour, selfish, complaining, superficial, quarrelsome, highly critical of his son Peter and of Anne, easily irritated. 

Petronella Van Dann (F): Peter’s mother. She is not ready to give up her lifestyle from outside, and views the annex as simply a new locale, rather than a necessity for survival. She is a bit of a flirt. Anne calls her frivolous. She clings to her fur coast like one would cling to their very identity She hides her fear of the unknown by worrying about trite things such as Anne and Peter's growing friendship. She is loud, egotistical, talky, often crude, suspicious, bossy, moody, selfimportant, critical of others, manipulative, sometimes depressed. 

Peter Van Daan (M): Must be able to believably play a teen. The Van Daan son. He is annoyed with Anne initially, but later confesses to admiring her spirit. They become good friends in hiding, He is trying to find his place - not only in the annex but in the world. He is not sure of who he will become or if he will be given the chance to find out. He has a good heart and is protective of those he loves. Awkward, immature, shy, sometimes amusing, attached to his cat. He hates his mother and father’s constant quarrels. 

Mr. Dussel (M): He is a fussy dentist. He is the only one in the annex without family, having left behind his live-in girlfriend who is Christian. He puts himself first at every turn, has little patience for his roommate, Anne, and is skeptical of everyone's future. He is old-fashioned, disciplined, hypercritical, selfish, horrified at Anne’s behavior, picky, unhappy with everything. He has not come to terms with his situation and is a whiny perfectionist, ungrateful, and easily irritated 

Miep Geis (F): She is a kind, Dutch secretary from the office of Otto Frank that helps hide the Franks, Van Daans, and Mr. Dussel. She is their connection to the outside world as she keeps them informed and supplied. She is worried, but determined to protect them. She is courageous, empathetic, compassionate, and friendly. 

Mr. Kraler (M): He helps Miep with the responsibilities of feeding and hiding the occupants of the Annex He is an employee of Mr. Frank’s company, a trusted colleague and friend. He is sympathetic to their plight, does what he can for them, and runs the company in Mr. Frank’s name. He is an honest and good man who never questions his obligations to the Franks and doing what is right. 

Extras Although these three men do not come in until the end of the show, they are exceedingly important. Those who play these parts will be given a very flexible rehearsal schedule, but time will be spent on character development and scene timing. 

First Man: 30+ year old male. German Nazi in uniform.
Second Man: 20+ year old male. Dutchman sympathetic to the Nazi cause. 
Third Man: 20+ year old male. Dutchman sympathetic to the Nazi cause.

Audition FAQs

  • Powerhouse attempts to create a supportive and inclusive environment for all talent levels and is proud of its participants who always welcome newcomers and who support each other onstage and behind the scenes.

  • At Powerhouse we like to do OPEN auditions where all auditioners come at the same time and are in one room so potential cast members can all see who they might be working with and share the experience. We feel this is a great way to start ensemble building by sharing in this experience. The other auditioners are always very supportive.

  • Sides (audition readings from the script) are always provided in advance, as well as information for what kind of songs we are looking for if there is a music component to the auditions. If there is a choreography component there will be a video provided with the basic dance instruction which will then be reviewed at auditions.

  • The size of the cast is dependent on the show. Whenever possible we try to get as many people involved as possible, but sometimes we are not able to cast all who audition. If you don’t get a role this time, we hope you will come back again!

  • Powerhouse accepts video submissions for those who cannot attend in person, but in person is always preferred when possible.

  • Powerhouse likes to audition 4-6 weeks prior to the start of the rehearsal process - sometimes even more! This gives actors time to familiarize themselves with the material and start learning lines so when rehearsals start we can dive right in!

  • Rehearsals can run from 6-10 weeks depending on the show.

  • Rehearsals are generally held Sunday afternoons from 1-5 or 1-6 and Monday and Wednesday evenings from 6:30-9 pm. Not all actors are called for all rehearsals. Conflicts should be noted on the registration form when you audition.

  • There is a $20 (for plays) or $25 (for musicals) participation fee for all actors cast. If this presents a hardship, let us know. Nobody will be turned away for inability to pay.

  • Actors are expected to practice music and dance at home and learn lines between rehearsals in order to put together an excellent show! Theatre is a team effort where everyone has to play their part... literally in the case of theatre! And, we hope you will also promote the show to friends and family so you can share the final product with them.

  • Tech/Production Week for Colonial Series shows begins the Sunday BEFORE a show opens. This is when all of the technical elements like lights, sound, and costumes are added. All actors are expected at all rehearsals that week unless there is an illness or sudden emergency. Other weekly conflicts must be skipped that week.